Bil Bless: The Life Mechanism 2

The Life Mechanism 2

Do it. You know you want to.

From Bless Records, the long awaited second part to Bil Bless’s Life Mechanism series. This music comes in hard and stays there with at least 134% more awesome play. One thing any fan of Bil Bless will notice on this album is that most of the buildups have been cut shorter with more focus on the individual sampling of sounds and bass. It actually is the best of both worlds – combining dance floor rhythm with crunk and glitchy little sounds that can really only be described as “fun.”

For all of you who don’t know who Bil Bless is – You really should be on the ball with this. Not only is this man a superstar producer of his own music with massive amounts of raw talent. But he’s also the mastering and sound engineer for some of the hottest acts in North America including Bassnectar, ill.Gates, Eskmo/Welder, Propa Tingz (aka Breakbeat Buddha), Heyoka and many others pushing the West Coast Glitch Hop sound.

With a resume like that, do you really intend to just sit around and not hear this right now? That’s crazy talk.

Oh yeah? Did I mention that this album is also free on his bandcamp site? Though if any of you truly recognize how great this is, you can always pay whatever you can.

You can also grab any of his older stuff on addictech. Worth every cent.

Bill Hicks Said it Best

Years ago before the internet became so commonplace, I used to sit after school and watch the shows on T.V. Depending on whatever age I was, there was generally something interesting to watch and I was pretty happy with the arrangement. I didn’t really notice the commercials all that much and there was always something happening that took my mind of the advertising. As years progressed I found myself less and less inclined to watch shows on the old tube. Between the constant nattering of advertising trying to get me to buy Always panty liners or bears wiping their ass coyly grinning like a shit-eating machines while butterflies fluttered in the distance I was becoming completely disillusioned with the entire medium.

Fast forward 10 years. Streaming video had really made it’s mark on the world of the internet. At the click of a URL, any show could be found almost instantaneously without the proxy of intermittent advertising. The glory of the net was that advertising was there, but it was less intrusive – usually found on the sidebars or headers of most site to guarantee that marketing had it’s place as well. We were in love. I had found a positive medium and was quite content. I should let you know right now. I have a fairly large addiction to both music and anime and up until the art of streaming video I was forced to illegally download pirated shows and movies. No longer, I could watch something and decide if I liked it without cluttering up my hard drive with 12 gigabytes of video. Assuming the codecs I had even worked.

No sooner had I finally found my niche when capitalist pig fucker Mc Marketing came full on back with his  giant, swaggering, full-on erection of advertising dick and slapped me in the fucking face with it hard enough for me to think I was the one who came.  At first it was completely innocuous with little bars of advertising showing up at the bottom of the screen on youtube telling me to play World of Warcraft or suck Google’s big dick. “Alright,” I thought. “I can deal with this. A little more intrusive, but I’m sure I can just learn to click the little translucent ‘x’ and work my way around it.

Just for a little understanding to be had here – there were several different web players to choose from. The regulars are/were; Youtube, Google Video, Myspace video, Vimeo, Megavideo, Random flash players and Veoh.  Each had it’s own little quirks but I became a pretty staunch supporter of everything Veoh. That has completely changed as of this week.  Now whenever I load up a video on all of these mediums aside from the random flash players and Vimeo I get to enjoy a minute and a half of beer commercials or some stupid fucking movie that I wouldn’t watch even if the director came to pay me. This has been happening a lot more on Youtube as well. Go figure, Google bought them and now its just a giant swaying dick ad.  I guess I saw it coming. Pun intended.

Veoh also started doing this little trick today on me as well. It would go through about a quarter of the video and then say:

“THIS IS JUST A PREVIEW. IF YOU WANT TO SEE MORE PLEASE INSTALL THE VEOH WEB PLAYER ON YOUR COMPUTER. WE WILL MONITOR YOUR VIEWING FOR APPROPRIATE TARGET MARKETING. WHEN INSTALLED< PLEASE REMOVE YOUR PANTS AND BEND OVER WHILE AWAITING OUR TRIUMPHANT VEINY COCK TO ENTER YOUR ASSHOLE WHILE BIG BROTHER CORP. OF AMERICA DRIVES IT IN COMPLETELY DRY AND WIPES IT ON YOUR FACE WHEN DONE.”

Ok, so maybe a little of that was fabricated – but the point remains. If I have to install some fucking unknown piece of shit on my computer without any idea of what they are doing with my information and essentially monitoring me for content. What do I get out of it? I might as well as go back to torrents and tell this stupid fuckhole of a web player (notice the term “web player” here and not “media browser.”) Not only has this company completely told me to fuck myself, but they’ve tried to get their government approved spyware loaded on to my computer.  Maybe that shit works for Billy Joe Bob Jimmy Bob Jim in fucking Alabama where idiocracy is all the rage and all of their politicians are elected based on who has the most goats to fuck. But I’m not that fucking stupid.

Anyway, on to the point – It’s painfully obvious every day that we live in a capitalist world system. Monetary and financial programs are the “life blood” of our fragile economies. Everything that exists now has a giant dollar symbol on it and if someone isn’t buying or attaching rent to it, they’re trying to sell it or get someone to pay for it. Everywhere you go, it’s constant inundation of media trying to get your dollar for shit you don’t need after working at a job you most likely hate. I’m completely worn out my the super aggressive marketing and advertising I see everywhere I go. It’s too much to bear. I get that the world needs to make it’s dollar to survive and all. But at what point have they crossed the line. At what point do they just slow down for a bit and think about the wants of the people, the REAL wants? Advertising just treats us all like pigs at the fucking trough lining up for our daily dose of do what we tell you. Buy what we want you to buy.

I’m super sad I cannot use the medium of streaming video without it being treated like a fucking T.V. I honestly hate television so much it hurts me to think of it. My parents pay around 80 dollars a month for that fucking box and it’s about half advertising. Pretty stupid that they’re paying 40 dollars a month to essentially be advertised to. What a waste of money. And what a waste of Society. Just a giant fucking ad campaign. I am seriously awaiting the bombs to drop to put me out of this consumer nightmare. Maybe you care, maybe you don’t – but I just had to get it off my chest.  But before I leave, I’ll leave you a quote by the great, late Bill Hicks;

“If you’re in advertising and marketing – seriously, just go do everyone here a favor and fucking kill yourself.”

Bill Hicks said it best.

Music

I wasn’t ever interested at being the best at something.
I’m not trying to be big or to move mountains.

I’m a musician for many reasons, but these aren’t them.
A long time ago, I picked up an old, battered guitar and started to strum.
I listened to the vibrations and the soul of the sound.
I sang from my heart and mind.
Tried my hardest to convey what both of them were saying.
There were times when my soul was heavy.
There were times when my heart was pure.
I still pick up my guitar and play from what I feel.
From what I’m feeling right now.
Move the keys of the piano.
Lay my ear to the wood of the guitar to feel the hum. To feel the music.
I’ve been lonely and afraid and she was the only one to turn to.
She healed the scars of my heart.
She holds the key for my heart.
The words don’t even matter to me. The only thing that matters is her.
Until the day I draw my last breath, it will always belong to her.
I am a musician for many reasons.

This is why I was born.
To go on singing like this, forever.
I finally found it.

——————–

John Kay


Plus 2 – Kill Teh Dragon

As of late, I’ve been working on a new album that shows what level of skill I’ve obtained since I started producing. Some beats are super heavy and Glitch Hop vibe, while some are straight up Downtempo. While I was working on these, I had the fortune of getting a song by Lazer Sword called Koopa Boss Mode. The track contained massive amounts of goodness, huge glitchy and saw infused basslines complimented with both the dungeon theme to the original NES version of Super Mario Bros. Accentuating this power song of great were samples spread throughout the song of the 8 bit power of Mario FX. I was blown away at both how insanely awesome this was and by Lazer Sword’s masterful production.

I decided to do a little remix of my own based on the Legend of Zelda dungeon theme for the NES. People who know me should know that this entire series killed my face off with a billion bricks of pure power. I practically live my life based on the damn thing. In fact, several of my best friends are because we share this common link with each other. My friend DJ E.L.E.V.E.N. fancies this magical adventure just as well as I and was the first person I thought of while making the whole thing. After creating my basic beats and getting that theme in as best as I could, I took the same thought from Lazer Sword and put the 8 bit effects in at the very end. This track is easily one of the best I have made and I hope you guys enjoy it. This is another of my FREE releases, but download it when you can because only 100 copies are coming out.

This is dedicated to both Christopher Thorne and Whitney Eleven Knight.

———–

Kill him dead.

———-

The link to the track and many others can be found at My Soundcloud Page and downloaded here.

Also check out my other links:

http://www.facebook.com/plus2sound

http://myspace.com/plus2hp

http://www.twitter.com/plus2sound

http://www.glitchhopforum.com

2010 Waxing Muse

First and foremost. Happy 2010.

If 2009 was any example of what cool things are on the horizon. This year is not to be missed.

Anyway:

I remember a long time ago sitting around at some point thinking to myself while listening to the dulcet tones of Pink Floyd and Leonard Cohen about how much I should have been around and living in the 60′s, indulging in the abstract counter-culture of bell-bottoms, LSD and Woodstock. Joining my fellows in protest of the nuclear family and modern society, war and government propagated brainwashing. Laying on the beach while someone lightly hummed a new Hendrix tune or gave a description of the recent Grateful Dead concert. I remember the times I thought that, but on reflection – It occurs to me that I’m glad I live in the time that I do now.

Sure, all the hippies have disbanded and free love isn’t as preached as it once was. Crime has increased, addictions and alchoholism run rampant through what seem at times; a failed watered-down broken version of all the dreams that were once twinkling in the eyes of yesteryears dreamers and lovers. War is still prominent and always on every persons mind. Recession is kicking in, people are losing their homes and it seems like the government isn’t really aiding anything outside of it’s own campaign trust and interests in big business.

So why do I think that this modern world is any better than years gone past?

I have several reasons for this ideology. The people’s rights have improved substantially – everything from women trying to have their voice heard to racial colors of every type living together, albeit with some minor problems. But it’s all really just a work in progress. As time and human compassion increase, so will equality. I believe that.

Music has come leaps and bounds. I’m not talking about the sterile Kanye West MTV top 20 bullshit. I’m talking about seriously crafted and well thought out designs for music. People like Bil Bless and the occasional band that manages to make something more for themselves that just being and over-tired overplayed pop indy band. Collaborations that blow my face off are becoming commonplace. It’s truly the time of music. True Music.

The internet itself is probably the biggest creation since the wheel. I know there are those that would argue this point. But I see it so important to humanity at this point, that I cannot say otherwise. The ability to obtain information almost instantly and network and communicate with people the world over is amazing. Everyone will be connected one day.

This weekend, I’m throwing a show in Victoria with MiMoSA and Myles Away and I’m so glad to be a part of that. I’m really lucky to live when and where I do. To be able to do what I do. Although there is still much strife in the world. I will continue to do my best and work through it.

Anyway, just some random musings until the next post. Stay tuned. There’s a couple big announcements I’ll be posting up on here.

Stay Frosty.

Oh yeah, Here’s some Bil Bless. Listen to this. This album was pure gold.

Avatar: Awesome Review by Ethan James Marx

I just came back from James Cameron’s Avatar.

This movie was possibly one of the craziest feature films I have ever watched. It turns out that my buddy wrote a review that dead-on sums up all my opinions on it and is incredibly witty and great. So here it is for your reading enjoyment.

Poster

Avatar: Holy Crap!

—————————————————————————————————————–

—————————————————————————————————————–

WARNING!! CONTAINS SPOILERS!!!

SERIOUSLY. DON’T READ THIS IS YOU HAVEN’T SEEN THE MOVIE!!!

——————————————————————————————————–

——————————————————————————————————–

Mike

The owner of this lovely written spell.

Avatar is a movie about interspecies romance, wherein blue people with no clothes have USB Compatible genitals in their ponytails. This is the planet that Mystique came from, and a lot of people here look like her. Everything on their planet glows, flashes, strobes or luminesces in some way because that is fucking awesome. At night when the sun goes down, someone turns on the black lights and they have badass jungle raves until the Terrans from Star Craft show up with Master Chief’s air force and start bulldozing their trees.

The terrans are looking for the mystic metal of Unobtainium. They obviously want to make an alloy of it with Wonderflownium so that they can make a SUPER doomsday device to counteract Dr. Horrible.

The movie is about Avatars, which are basically unholy bastardizations of the indigenous people of Beautopia, or whatever they called indiglo planet. Someone working for Cameron must have watched Evangelion, because they are basically super-human war machines who are controlled by possessing their minds through a computer interface. They are blue, in prime physical hominid physique, and have tails, which makes them fucking awesome. As I mentioned before the planet Beautopia is totally rigged for USB networking, and you can plug your hair tentacle into pretty much anything with some degree of comparability. Chances are really good you’ll end up mind melded to something that glows int he dark, has more teeth than a running chainsaw, and totally puts out on the first date.

Bluetopians

I wonder what Bluetopian tastes like?

In the movie, Sigourney Weaver plays Jane Fonda Dr. Grace Augustine, a science-chick-cum-cultural

-anthropologist. She obviously spent a great deal of time in the missionary position in the pre-story development cycle. Which is to say, teaching natives to speak English and building churches schools. She has a secret hide-away with some really comfortable beds way up in the flying mountains where none of the standard electronic surveillance works, which is way way better than a van down by the river. She also has this really cool ability to take over an Avatar, which basically makes her look like one of the indigenous people, hilariously dressed in Shaquille O’Neill’s clothing. And despite the fact that the movie is chock fucking full of exo-suits, at no point does she enter into, operate, confront or assault one of these, which left me very disappointed.

Her jarhead, stereotypical jock soldier boy counterpart is popular Southpark character Timmy Jake Sully, played by a dude named Sam Worthington, who was in nothing I really know a damn thing about except one episode of JAG back in 2000, and a Terminator movie I haven’t seen yet. After the never-mentioned-again death of his twin brother who got a bankers box funeral, he went on to be the most productive paraplegic space marine in the entire corps. Wheeling around in his chair and obviously hating life, he casually mentions something about gambling debts keeping him from getting that spinal surgery for christmas or something. When the russian mafiaUNSC russian mafia tells him they’ll fix his ruined spine if he agrees to operate the Evangelion, he agrees unhesitatingly to bring the first shipment of smallpox blankets to the blue man group. On his first day out however, he fucks with some gnarly mushrooms and gets himself chased off of a giant waterfall by Mecha Bagheera. it’s pretty awesome actually. Finding himself lost in the woods with nothing but a conveniently placed kerosene tree and some saber toothed dachshunds, he manages a last minute escape from being cornholed by being rescued by Pocahontas.

Pocahontas Neytiri is played by a seriously gorgeous Zoe Saldana, who became 2 feet taller and a totally different ethnic colour for the role, which is pretty forward thinking for an actress. The fact that she has a tail is freakin awesome too. I think she also has retractable nipples, because while she’s not wearing any real CLOTHES, the necklace that serves as a vanity guard is pretty ambiguous about whether they exist or don’t exist for sure. The mystery is actually one of the better things in the movie. She’s totally hot for Timmy, but doesn’t know why. At first she’s pissed off because the intensely spiritual uh… people… are seriously unhappy any time one of their USB peripherals is ejected improperly native lifeforms is not thanked for its sacrifice of life. She’s totally serious about killing him for a minute too, until he gets attacked by these pollenesque jellyfish things, which are, surprise surprise, glow in the dark. By attacked, I of course mean, really tentatively fondled and daintily alighted upon. I don’t know really but they really liked him, must have sensed his DEEP DOWN PURE SPIRIT past all the military reconnaissance he was doing to help them make a tactical superior force strike on the Life Tree. Anyways, she brings him home to meet mom, dad, and the obviously hateful xenophobic betrothed who can sense how much she love-at-first-sight’s Timmy.

Tsu’tey suffers from a lot of things, I think. the first being an apostrophised name. I don’t really know what to do with that shit. The second being a bad case of the Tokens. His actor is a brother named Laz Alonso, who has had a lot of samey minor roles as the Token Black Guy from what I can tell. Although I can say I remembered him immediately when I read his cast listing, from all the places I’d seen him, he was in such bit parts it was not really a career dynamic thing. That being said, this role really panned out for him. Which I dunno if anyone will ever get because he’s way blacker and shorter in person. And to the best of my knowledge he doesn’t speak Bluetopian for real, but I could be wrong. In the beginning, Apostrophe was totally a douche. He was reading cue cards out of stereotypes and was basically the jilted tribal betrothed. I believe in the appropriate psudo-american native terminology, a douchecanoe. Over the course of the movie he doesn’t really undergo much actual character development, but that’s cause no one wrote it for him. He did provide for a pretty good main line feed though. In the end however when Timmy realizes that he’s secretly as much of a cultural anthroplologist as his crispyfried brother, Apostrophe proves that the death of your father, the destruction of your homeland and the looming extinction of your people can really mellow a fucker out, and when confronted with a parapalegic puppeteer riding a god damned DRAGON, seriously owns up to the role of badass hunter. Even though his woman is totally tail-tied to him. That whole character vacuum really just… was.

Awesome ish

Retarded amounts of awesome were casually splayed over my face.

There’s a whole mess of tertiary characters like Apostrophe in the movie. There’s Kumar the Science Guy who obviously suffered from Editing Room Floor syndrome, and there’s uhhh, Norm Spellman. Who was… Norm. He had a lot of potential to be a character driven kinda guy but he got glazed over as a contributor. I think it’s because despite all the shit they OBIOUSLY cut out, this movie was still three amazing hours long. Ma and Pa Blueskin were pretty generic, I only really knew who they were because of their trappings which I think was intended. I think that the movie had such a vast, vast untapped potential that it might actually make some author very very very fucking rich to novelize.

Now, on to the humans.

A lot of people out there could look at this movie, make some derogatory comments about tree hugging hippies and heavy handed messages. There are some pretty clear allusions to real life issues we struggle with today. There are some GROSS over-representations of these problems but that’s the joy of story telling. You’re SUPPOSED to use hyperbole. You are supposed to exaggerate issues and demonize things. Like in 300 with the fanged ninjas that was fuckin sweet. So yes, the air cadets, whoever they were for, were pretty much your stereotypical representation of douchebag invading money grubbing oil hungry bush era cheny toading asswipes. Timmy introduced himself as being from Clan Jarhead.

The guy running the op is an interesting sort though, he’s like a weird psudo-ethical suit. He’s obviously not happy with the decisions he has to make even though he plays the cocksucker like he was born with kneepads. He’s vaguely reminiscent of one of the ORIGINAL aliens characters, as played by Paul Reiser, except he’s a little bit less stone cold about it. He at least didn’t giggle during his acts of genocide. Which isn’t to say he showed any protest at all when they were using flamethrowers (coughgenevaconventioncoughwhat) and ordering the forcible relocation of indigenous ‘savages’. He talked the talk and walked the walk but he did it with a sweaty palmed, blood pressure pills in the coffee sort of demeanor that suggested he slept poorly at night. I liked it. Now, I seriously wish I could say I made up all the words in this little blitz, but Unobtanium is actually the name they went with for the shit they want to mine off of this planet. UNOBTAINIUM. He has a cell phone sized chunk of UNOBTAINIUM floating on his desk over a hover ball or something. He gives the orders and calls the shots, mostly, and at a point or two he acts as an enabler for the hero squad to get their shit done with a modicum of ethics, which is pretty nice of him. He blames shareholders. Throughout the whole movie I was like fuck fuck fuck this guy looks so familiar fuck fuck why can’t I place him. He looks seriously familiar. And his fucking name is GIOVANNI. Which is badass. Giovanni Ribisi. Fuggedaboudit. So this whole god damn time I’m like why do I keep seeing this guy as a punk kid? WHY? And it hits me. He was the retarded younger brother to a really bad actor Nicholas Cage in Gone in Sixty Seconds. I lol’d IRL.

The only other important human dude was Sarge. Now, I dunno if this is just an aspect of the military, but Good Sarge is always a black guy with a bad attitude and a deep caring heart. BAD Sarge is totally some white genocidal douchebag who wants to wreck shop and fuck people up for daring to be alive on his watch. he has a funky character-building scar, and at first he identifies really well with Timmy. Because Timmy is a lying sack of shit jarhead who serves the corps like a TRUE MARINE. Which is pretty good. because it means that eventually TRUE MARINES (like bitpart foehammer Pilot McTitties) decide not to fire on helpless civilian targets with anti-tank rounds and incendiary missiles. Sarge though, he did it whilst sipping coffee and slouching on someone else’s chair. This guy had a serious chip on his shoulder but it was dignified in that it was unexplained. He didn’t hate the blue meanies because they killed his platoon or gave him his disfiguring character building facial scar. He wasn’t angry at the world or planning vengeance or… arguably anyway, sociopathically insane. He was just fucking SARGE. Sarge says jump, you jump. Sarge says die, you get til the gas rounds clear out before they burn your fucking tree house down. I cannot argue that Sarge was a badass either. I mean, I looked at him and I said “You are the provided villain and I can sync with that.” But then I thought, ok, if Master Chief was doing this shit I would be jizzing myself and needing new pants. The difference, and the IMPORTANT difference that it is, is that the Covenant in Halo were taking pretty much the role the Humans in this movie were going with. Motivation trumps method.

That being said, the methods employed in this movie were sweet. I mean, there were badass flying gunships, rock awesome military and industry grade exosuits, dragony wyvern Gyaos lookin things, Guns, spears, bows, aerial battles, ground battles, cavalry charges met with anti-tank weapons. Floating cloud mountains equipped with track jammers making dogfights conveniently line of sight. Giant armored pumas and hammerhead bulbasaurs. It was seriously some epic shit right there. Makes me think back to when everyone got a RAGING ERECTION when Jackson made the war elephants show up in LOTR. and makes me think people need to STFU about their whiny bitch bullshit cause they’re spoiled. This movie was an ORGY of visual delight. It’s totally what would happen if Apple was an evolutionary process. Everything would light up colourfully, make awesome sounds, and totally integrate with no issues whatsoever without sharing viruses. Steve Jobs Was Here.

screenshot

It's time to kick ass and chew bubblegum... and I'm all out of bubblegum.

The story was very story. It had protagonists and antagonists. It swathed about with its heavy hand with a completely acceptable lack of discretion. Just because you think your tastes are so uppity and refined and that you’re an intellectual enough to prefer your messages subtle, this story was good. Tried and true and even possibly relevant; it’s good to learn from our fictions so they stay that way, and I hope I never see the day when we find it acceptable to steal land from people with overwhelming… fire… power… and… fuck shit. Well, at least not for stupid reasons like natur..al… resources…

Moving on. Mind the heavy hand there.

Avatar in 3D had action, excitement, romance (and arguably beastiality depending on how you look at things) morality, readily understandable plot devices, gorgeous visuals, unique and creative environment and immersive settings. I didn’t even notice the music, and I ALWAYS notice the music. Which means it was perfectly suited to every scene that it was in, or it would have been notably lacking. It was fun, friendly, had awesome blue titties, and I got to see Timmy the Crippled Space Marine help Sigourney Goodall reclaim a planet from an invasive technological superforce with rocks and sticks.

Next year, they will drop meteors from space and then have to change the name of Unobtainium forever. So go see Avatar before you lose your chance to try on these rad glasses, which totally fit over my own glasses without giving me a problem at all.

peace.

Shipwrek – Journal

Every now and then, I come across something that is so fresh, beautiful and original. Something that literally makes everyone that sees or hears it just stop for a moment, blankly stare at a wall and say “what is this?” The album Journal by Shipwrek is one of these things.

Cover

Cover

As with a lot of the awesome musical, mind-bending albums to come out recently it seems, Shipwrek comes straight out of San Francisco and it looks like he’ll be making quite a stir. Each track is beautifully designed and amazingly composed. Every note seems to be in the right place and the ambiance is otherworldly. Oh yeah, did I mention there are some slick bass lines all over the place? Each song seems like it’s transporting you to the soul of some magnificent land. I honestly haven’t felt like this since I first heard Bonobo or ediT and his Crying Over Pros for no Reason album.

Bloom

Bloom

The album comes with 13 songs in total and the cd jacket for it comes complete with some interesting little pictures. For some reason, I just find myself completely moved by the amazing ear candy coming out of my speakers right now. Not only are the arrangements dead-on, but there are all sorts of clicks and glitches happening both for percussion but also for melody. Melody is what drives me the most on this though; The way it’s arranged gives the feeling of sitting on the beach on a foggy, still day and watching ships slide ghost-like out of the fog. Shipwrek is aptly named I think.

Awesome

Going on a trip.

Out of all the songs on it, I would have to say my favorite is Bloom hands-down, the set up for the track is absolute and when it finally crescendo’s, a ripping flute riff comes out of the mist and blows my face off. I was actually sitting on the ferry between Vancouver and Vancouver Island listening to it just yesterday. All I have to say about the entire thing is that it was a pretty epic and beautiful ride.

Even more epic I must say is his internet bio for the album. Which I’ll post down below:

“Most nights, when life allows, I music journal. I just hit record and pour out the day in the most honest way I know. These entries go onto a hard drive, and stay there: a chronological, date stamped account of where I have been and what it was like to be there. This album is a compilation of these journal pages, a full year of my life into your hands. From more than a hundred journal entries between Spring 2008 and Spring 2009, I’ve refined thirty that most honestly tell this year as it has been. Thirteen of these are compiled in this album.

The rules: in mixing, arranging, and polishing these pages for release, nothing has been imposed on these stories that was not present in the original entry.

The voices you hear in the background might be your own. Maybe you laid in your bed that night and listened to the rain while I held a mic out my bedroom window. Maybe you were the stranger who played a bent-bugle solo into my laptop on the side of the road, or the bearded heathens who whistled in three-part harmony for me in an alley. Maybe you left me the voicemail that I turned into a violin or you knocked on my door just to see if things were going alright. Maybe you nudged me every day for two months to put this album out. If you don’t hear yourself in these stories, listen again. It is all in here, with my gratitude.

Shipwrek

Shipwrekked.

All in all, a magnificent release, it’s by donation and you should probably be listening if you aren’t already. I’m really looking forward to the future of this sound. You can find Shipwrek here:

Shipwrek Bandcamp

Shipwrek Website

Shipwrek Myspace